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the disciple movie story

The film explores issues of racism, the power of the media, and the tension between Pfleger's 'gospel of the streets' versus traditional Church theology. In a galvanising act, Sharad exits the stage abruptly, abandoning his performance. Production companies: Zoo Entertainment The film provides a harsh but necessary critique about the legend of the art form. There are two axes to this narrative: one, the character is shown through three stages—as a child, a young adult and a married man with a child; and, two, the relationship between the character and his guru, the guru’s teacher, and the city. M18, 128 minutes, opens Dec 3 exclusively at The Projector, 3 stars. The scenario won the best screenplay award at the Venice Film Festival. Chaitanya Tamhane’s The Disciple becomes first Indian film since 1996 to play in main slate of the New York Film Festival Sep 29, 2020 - 4:17 pm IST Stories about those who chase mastery of their craft are tricky to get right. In a year that’s been low-key for movies due to the coronavirus pandemic and related curbs, The Disciple is the only Indian selection at the Toronto International Film Festival (TIFF) in Canada. May 19, 2012 • Story selection and rights acquired; idea being crafted into usable script; financing and casting attachments sought; aiming for 'greenlight'. Cast: Aditya Modak, Arun Dravid, Sumitra Bhave, Kiran Yadnyopavit Photo: Chien-Chi Chang/Magnum Photos; Courtesy: Rolex Mentor and Protege Arts Initiative. 50min | Western | 17 October 1915 (USA) Jim Houston, the "Shootin' Iron" Parson, comes to Barren Gulch to reform the morals of the frontier community. The Disciple echoes its rigor and determination in exploring the struggles of an aspiring young singer, albeit at its own slow and thorough pace. Deborah Young The portrayal of his riyaaz is not pegged as pure schmaltz but an engagement with life as he fights the pornography of desires on his way to find his true self. Terms of Use | Directed by Chaitanya Tamhane. The Disciple makes a nuanced distinction between subject and the story; the film is not on Indian classical music per se, but rather the visceral world that the disciple occupies. | EU Privacy Preferences. It is this quest for identity, stability and meaning which gets poignantly woven through Maai’s speech in a voiceover, intending to be a moral suasion but also a statement on the Hindustani Sangeet Padhati. I hope unlike his protagonist, Tamhane retains his rigour and practice in sustaining the depth of being an artist in a metropolis. Saint Peter - Wikipedia. The Disciple characters Aditya Modak as Sharad . With his latest offering, Tamhane succeeds in transporting one into another world in just over two-hours, beautifully capturing the erumpent consciousness of Khayal, a genre of Indian classical music. It unravels the tale of a Sharad Nerulakar, a vocalist who wants to experience the promise of musical transcendence, but is grappling with his existential woes. Often, he performs with his teacher and guru (Dravid), a white-haired vocalist of sublime gifts who is getting on in years. In return he receives strict instruction and harsh criticism, but also a legacy of teaching from a legendary female vocalist named Maai, who taught his guru. The Disciple has not yet been released in India. Maai, a sage-like character known by the name Sindhubai Jadhav, has no image or records in public. His counterpart is his music teacher, Guruji, essayed by Arun Dravid, a veteran musician and a disciple of Kishori Amonkar. And to embark on that quest, you will have to surrender and sacrifice.”. Although as an actor Modak has a range of expression that hovers around worried or irritated, there is often a look of deep belief in his eyes, and you can feel his musical understanding is authentic. Narendra Pachkhédé is a critic and writer who splits his time between Toronto, London and Geneva. His writing envelopes the viewer into the quotidian experiences of Hindustani sangeet of the Marathi milieu in Mumbai. "It is a love story and I don''t get to play things like that. © 2021 The Hollywood Reporter, LLC. In the role of the dignified, ailing master, Dravid plays without a false step and conveys his absolute confidence in the divine power of traditional music. The ending, clever and ambiguous at the same time, comes out of the blue and leaves the audience thinking. He hails from a legendary family of cinematographers in Poland who were associated with the works of Krzysztof Kieslowski and Andrzej Wajda. Posted: (3 days ago) Peter's life story is told in the four canonical gospels, the Acts of the Apostles, New Testament letters, the non-canonical Gospel of the Hebrews and other Early Church accounts of his life and death. With one eye out to winning competitions, the singer-in-training, Sharad (Modak), easily fits into the narrative mold of movies like Whiplash and A Star Is Born as he studies under a fierce disciplinarian and sacrifices his private life to perfect his art. His first film, Court, was an award-winning look at the deadly bureaucracy behind India’s justice system, worthy of a nod from Frederick Wiseman. | Do Not Sell My Personal Information In the New Testament, he is among the first of the disciples called during Jesus' ministry. He’s 24 years old but getting married and having a family are out of the question; tradition says that until the age of 40, the student must simply practice and put such worldly matters aside. It's a sad story for the most part but that's what makes it realistic and adding classical music just made the experience to another level. Director, screenwriter, editor: Chaitanya Tamhane Chaitanya Tamhane’s new film is a big step towards developing his own visual style and storytelling. 'The Disciple' looks at the world of classical musicians, the movie follows the story of Sharad Nerulka, who has devoted his life to becoming an Indian classical music vocalist, diligently following the traditions and discipline of old masters, his guru, and his father. The tension foregrounds the lugubrious brooding of Sharad. The Disciple marks Tamhane’s return to Venice after he won the Best Film - Orizzonti and Lion of the Future award for Court in 2014. “The Disciple” follows Tamhane’s stellar first feature, “Court,” which also looked at the complex role of music in Indian society, in that case through the lens of a corrupt judicial system. Costume designer: Sachin Lovalekar For a young filmmaker in search of a film language, Tamhane has shown an affinity for long-takes, pacing and close-ups. With Aditya Modak, Arun Dravid, Sumitra Bhave, Deepika Bhide Bhagwat. The tension within the protagonist continues to be built till a staid Sharad has an encounter with a music critic who rips off the almost-sacred image built around Guruji and Maai. His father, who was his first voice teacher, failed to reach the heights as a singer, and it comes as a shock to hear someone opine that his knowledge of music surpassed his abilities. In the denouement, the disciple succumbs to the pressures of modernity. Filmmakers Chaitanya Tamhane and Alfonso Cuaron. This comedy event that tells the story of the dreadful year that was – and perhaps still is? Chaitanya Tamhane won the newly instituted Amplify Voices Award at the recently concluded Toronto International Film Festival (TIFF) 2020. But caveats aside, the film has its own fascination that rises above the type of music being played and sung. 8:00 AM PDT 9/4/2020 Sharad Nerulkar has devoted his life to becoming an Indian classical music vocalist, diligently following the traditions and discipline of old masters, his guru, and his father. The Disciple is a sublime coming-of-age study of an artist's prolonged pursuit for music. The Disciple. Having accomplished singers to act is not only a challenge but a casting coup of sorts. This vindicates Tamhane’s trust in his audience as much as his conviction in his screenplay. With sparseness, not minimalism, Tamhane remains considerably unhurried in his approach, keeping an amazing pace in conjunction with the music sung—slow, meditative and melancholic—as the rendering of ‘Jhannana bichuwa baje’ in raga jaunpuri in the opening sequence shows. Jadhav, has no image or records in public the intricacies of the and. 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